String Ensemble Rosamunde, conducted by Peter Pazmany, invited Hein Zegers to play together with them as a soloist on recorder. What a joy to play alongside such passionate musicians! Here are a few impressions (photography by Paul Rogier):
‘Dank voor je fantastische lezing en je sympathieke aanwezigheid gisteren. Ik heb niets dan positieve reacties gehoord. Het is uitzonderlijk om een spreker te ontmoeten die zo “echt” is en oprechte interesse toont in andere mensen.’
(Reactie op een lezing over geluk die ik vandaag gaf in het kader van de Dag van de Geestelijke Gezondheid. Voor een extreem divers publiek: van beleidsmakers, gezondheidszorg-werkers tot de bewoners van een instelling voor mensen met een mentale beperking, samen in een zaal.)
Full house yesterday for Hein Zegers’ presentation on Clutteritis & BASICS, organized by the Leuven Think Tank CEO. The contents of the book ‘Zooikoorts’ (‘Clutteritis’) clearly hit a nerve: “We’ve never had so many people here.”
Zegers, H. (2017). Voluntary Simplicity, Well-being and Meaning in Life. A Multilingual Empirical Study of 500+ People who Consciously Choose for Simple and Slow Living. Podium Presentation at the 5th World Congress on Positive Psychology, Montréal, July 13-16, 2017.
J.S. Bach: ‘Air on the G string’ on double flute / double recorder by Hein Zegers. Using two alto recorders modeled after Joannes Hyacinth Rottenburgh (1672-1765) as echo flutes. Played in Autobahnkirche Medenbach, where long-distance travelers come and go, day and night, and could do so at any time during this performance.
Bluesy version of ‘We wish you a merry Christmas’ on double recorder / double flute. From classic to swing to crazy. On 2 alto recorders refined with natural beeswax, according to an ancient ‘tibiae pares’ / echo flute tradition. By Hein Zegers.
Last time I visited Prague, I was still a teenager. I hitchhiked around Europe back then, playing street music and searching for the meaning of life. Now, almost 30 years later, I’m doing almost the same, still not much wiser, but having a great time… Here, I’m Playing Smetana’s “Moldau” on the Charles Bridge. Meanwhile, the Moldau River quietly runs underneath.
Playing ‘Alle Menschen werden Brüder’ on two recorders. In Amman (Jordan), also formerly known as ‘Philadelphia’, the ‘city of brotherly love’. On top of its most famous landmark: the Amman Citadel (Jabal al-Qal’a).
Zegers, H. (2015). Simple Living, Valued Living. An international study of Voluntary Simplicity and Psychological Flexibility. Presentation at the World Conference of the Association for Contextual Behavioral Science, 2015, Berlin.
G.F. Händel Sarabande (from the Keyboard Suite D min) HWV 437, first published 1733. Well-known from the Stanley Kubrick Movie “Barry Lyndon”. Variations for double flute (recorder) by Hein Zegers. Using two alto recorders modeled after Joannes Hyacinth Rottenburgh (1672-1765) as echo flutes.
The most beautiful melody ever written by Frédéric Chopin (according to himself): Étude Op. 10, No. 3 (“Tristesse”), 1832. Arrangement for alto recorder solo (2013) by Hein Zegers. Using the old technique of quasi-polyphony. The recorder is one of the best instruments to play quasi-polyphony, thanks to its very direct articulation.
Eurovision Theme Music “Te Deum” by Marc-Antoine Charpentier (1643-1704). Arrangement for double recorder by Hein Zegers. Instruments: two alto recorders modeled after Joannes Hyacinth Rottenburgh (1672-1765), prepared and used here as echo flutes.
John Cage’s famous 4’33” piece on solo recorder. 3 Parts: I Tacet (on soprano recorder), II Tacet (on alto recorder), III Tacet (on soprano recorder). Performed in a public stairway with excellent acoustics for this instrument. Pedestrians may appear at any moment.
Solo recorder improvisation on “Love me Tender”. Playing up to 3 voices simultaneously (quasi-polyphony) in 3 variations by Hein Zegers. Song originally known as “Aura Lee” (1861), written by W.W. Fosdick & G.R. Poulton.